When the Wind Blows Through Us
Composition of four “windows”
Composition of four “windows”
The swimmer facing the sea
Sea and stones
The pines
The walking man
Each “window” is constructed according to the principles of mise en abyme, using a photogram taken from an amateur film. The gold leaf rectangle, weightless in the decor, establishes itself in the image as a space of absolute light, whereas the photogram itself, with the same frame value as the golden rectangle, is mirrored above it.
A play of contrasts between the dark, the light, and the representation of a space, this work examines the composition of the image — light, space, and time.